So, whether you're using face, eye, object tracking, or touch tracking, the focus is one less thing you have to worry about. This camera has over 627 autofocus points, covering up to 95% of the sensor. Also, good autofocus allows you to focus on different creative aspects of video, like framing, movement, and lighting. There are many one-man-band shooters, and having a good, reliable autofocus makes a world of difference. You might have heard people say you shouldn't use auto-focus when shooting video, but with this camera, I disagree. The autofocus, of course, is a game-changer. Try to stay within these base ISO ranges. If you're shooting an S-Cinetone, your low base is 100, and your high base, 2000. For example, if you shoot an S-Log3, your low base is 640, and your high base is 12,800. We're going to get a bit techie different color profiles will give you different ISO ranges. The ISO range on this camera, of course, is outstanding. If that's not enough, through HDMI, you can record 16bit RAW. Internally you can record up to a 10bit 4:2:2. You can record 4k up to 120 with audio and full HD up to 240 frames. Reliability is one of the most important things, and I need to trust that my camera can perform. One of the worst things is when you're in the middle of a shot and your camera overheats. The fan prevents the camera from overheating, which is important for anyone shooting video. One of the most important features that bring this camera to the next level is the built-in fan. This makes it easy to hit record from weird angles. The Sony FX3 also has two record buttons, one on the front and one on the top of the camera. You get better video at higher bit rates. The benefit of the new CF cards is that they are faster. You can either use SD cards or the new CF express Type-A cards or one of each. This screams in my face that I'm recording. I love the large one on the back and definitely the red indicator on the screen. I am a sucker for tally lights, and this camera has them everywhere. You can customize it and pretty much program any button that you'd like. You can easily change all the exposure settings with barely having to move your thumb. So it's easy to change your settings with one hand. The most crucial buttons are on one side of the camera. You are not limited by the environment when you're filming. This is important when using the HDMI to record to an external recorder or a monitor. It's equipped with a full-sized HDMI, a more common and a lot more durable port. So, if you have a PZ lens, you're able to control the zoom. The camera is equipped with a zoom rocker on the top. I also found the touch screen easy for tracking and auto-focus when you need it. The Sony FX3 has a fully articulating screen, which is great for low angles or high angles. It also makes mounting vertically for social media quick and easy and basically eliminates the need for a cage, which is kind of nice. Unlike most cameras, this camera has six quarter-inch thread holes on every side, so you can mount it anyway. Pretty much eliminates the need for an external recorder. You're able to input two XLRs straight into the camera. The camera has a 3.5 mm audio and headphone jack and also comes with an XLR top handle. You get 5-axis in-camera image stabilization for smoother shots. Sony really held nothing back with this camera. So, the bigger the sensor, the better the low-light and the shallower depth of field you get. The FX3 is a full-frame cinema camera, meaning it has a full-frame sensor. So, whether you're a big-time cinematographer, documentarian, or solo shooter, the FX3 has you covered. What Sony did with this camera is just outstanding. The Sony FX3 is Sony's smallest cinema camera, but don't let that fool you.
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